Alain Locke proposes that the artist of the 1920s became more aware of the Black culture that was available for inspiration and from this community the artist was ignited to pursue and create the New Negro identity. With this he proclaims that the artist was able to fuse social consciousness with art that was in a sense for the people about the people. This is because it created images of dignity and they were respectable depictions of black people, something that had never been done before. Prior to this Alain notes that there was no image of the black folk that was not demeaning or in caricature form. To a certain degree Alain is arguing that the Black art generated during the renaissance was healing to the mind and soul because it gave blacks human value and acknowledged an equal and worthy culture that could just as easily generate inspiration and motivation for art.
Baldwin on the other hand makes the reverse argument, stating that the New Negro identity stems from the bottom up and that the art was a reflection of this new mood that was already prevalent amoung the masses. He argues that this identity was shaped by consumerism naming Jack Johnson as a prime example of this influence. He argues that Johnson served as an Icon of the sorts he carried the race through his own actions. The public’s reaction to this, both black and white was astronomical and the ramifications and implications of his skill as a champion created and drew from the community a form of awareness as it acted and reacted to one another’s racial tension. He argues that that the boldness and willingness to take action represented a group awakening of sorts that consolidated the New Negro identity.
Overall the New Negro that is of the artist and that which is of the entrepreneurial share very much. Both take action that has been considered a choice not available to the black community. In art for example artist who took the risks of deviating form “classical” art were at risk of being deemed inferior artist, nevertheless they stepped into new frontiers and in doing so gave value to themselves as artist. Similarly Entrepreneurs in the black community were venturing into frontiers uncharted. In doing so both display a willingness to take ownership of their worth as member of society with equal and valuable potential that can only be large appreciated once this self-recognition is made.